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1921 1st rec TOSCANINI Bizet Arlesienne Suite FARANDOLE/ CARMEN La Scala VIC 839

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THE VERY FIRST RECORDING SESSIONS of notoriously Microphone shy ARTURO TOSCANINI, when he toured the US with the La Scala Orchestra from Dec 17 - 24 1920 in Camden, New Jersey. He would record another few sides the next year from march 8 - 31 1921. After these initial acoustic sessions, Toscanini barely recorded anything (one Brunswick record, and very few Victors in 1929) until the late 1930s, when he was lured back to the US with the custom created NBC symphony orchestra. This is an early glimpse of the mastery of on of the greatest conductors of the 20th century. CARMEN ARAGONAISE (Prel Act IV) was unsuccesfully recorded in 1920 this was recorded in his last day of recording at Camden - March 31 1921, Toscanini then would not record again until the late 1920sThis recording has an amazing balance, from the big brass opening chords, to the middle part of flute, snare drum and stringsBizet L'Arlésienne Suite No. 2: IV. FarandoleArturo Toscanini, direttoreOrchestra del Teatro alla ScalaRecorded March 11, 1921 at Camden, New Jersey.===== Aragonaise Carmen. Entr'acte, no. 3 Georges Bizet (composer) Teatro alla Scala Orchestra (Musical group) Arturo Toscanini (conductor) Instrumentation: 32 first and second violins, 10 violas, 10 cellos, 8 string basses, 4 trombones, 4 French horns, tympani, 2 harps, 4 flutes, 4 oboes, 4 clarinets, 4 bassoons, 4 cornets, tuba, celeste, xylophone3/31/1921 Camden, New Jersey. Church Bldg. 6 Master Victor 64999 Orig Issue 10" Victor Batwing 78 rpm recordCondition: EXCELLENT close to PRISTINE, plays EXCEPTIONALLY QUIET, faint hint of bass buzz on the first few opening chordsGREAT BASSY SOUNDA SUPERB COPYArturo Toscanini (March 25, 1867 û January 16, 1957) was an Italian musician. He is considered by many critics, fellow musicians, and much of the classical listening audience to have been the greatest conductor of all time. He was renowned for his brilliant intensity, his restless perfectionism, his phenomenal ear for orchestral detail and sonority, and his photographic memory which gave him extraordinary command over a vast repertoire of orchestral and operatic works, and allowed him to correct errors in orchestral parts unnoticed by his colleagues for decades BiographyToscanini was born in Parma, Emilia-Romagna, and won a scholarship to the local music conservatory, where he studied the cello. He joined the orchestra of an opera company, with which he toured South America in 1886. While presenting Aida in Rio de Janeiro, the orchestra's conductor was booed by the audience and forced to leave the podium. Although he had no conducting experience, Toscanini was persuaded to take up the baton, and led a magnificent performance completely from memory. Thus began his career as a conductor at age 19. Upon returning to Italy, Toscanini self-effacingly returned to his chair in the cello section, and participated as cellist in the world premiere of Verdi's Otello (La Scala, 1887) under the composer's supervision. (Verdi, who habitually complained that conductors never seemed interested in directing his scores the way he had written them, was impressed by reports from Arrigo Boito about Toscanini's ability to interpret his scores. The composer was also impressed when Toscanini consulted him personally, indicating a ritardando where it was not set out in the score and saying that only a true musician would have felt the need to make that ritardando.) Gradually the young musician's reputation as an operatic conductor of unusual authority and skill supplanted his cello career. In the following decade he consolidated his career in Italy, entrusted with the world premieres of Puccini's La BohFme and Leoncavallo's Pagliacci. In 1896 he conducted his first symphonic concert (works by Schubert, Brahms, Tchaikovsky, and Wagner), in Turin. By 1898 he was resident conductor at La Scala, Milan and remained there until 1908, returning during the 1920s. He took the Scala Orchestra to the United States on a concert tour in 1920-21; it was during that tour that Toscanini made his first recordings (for the Victor Talking Machine Company). International recognitionOutside of Europe, he conducted at the Metropolitan Opera in New York (1908û1915) as well as the New York Philharmonic Orchestra (1926û1936). He toured Europe with the New York Philharmonic in 1930; he and the musicians were acclaimed by critics and audiences wherever they went. As was also the case with the New York Philharmonic, Toscanini was the first non-German conductor to appear at Bayreuth (1930û1931). In the 1930s he conducted at the Salzburg Festival (1934û1937) and the inaugural concert in 1936 of the Palestine Symphony Orchestra (now the Israel Philharmonic Orchestra) in Tel Aviv, and later performed with them in Jerusalem, Haifa, Cairo and Alexandria. Toscanini ran in 1919 unsuccessfully as a Fascist parliamentary candidate in Milan and had been called "the greatest conductor in the world" by Mussolini; however, he became disillusioned with fascism and notably refused to conduct Giovinezza at a May 1931 concert at La Scala, after which he was roughed up by a group of blackshirts, and thereafter left Italy until 1938 He left for the United States where the NBC Symphony Orchestra was created for him in 1937. He conducted the first broadcast concert on December 25, 1937, in NBC Studio 8-H in New York City's Rockefeller Center. The acoustics were very dry, until some remodeling in 1939 added a bit more reverberation to the studio. One of the more remarkable broadcasts was in July 1942, when Toscanini conducted the American premiere of Dmitri Shostakovich's Symphony No. 7. Due to World War II, the score was microfilmed in the Soviet Union and brought by courier to the United States. Stokowski wanted to conduct the premiere and there were a number of remarkable letters between the two conductors (reproduced by Harvey Sachs in his biography) before Stokowski agreed to let Toscanini have the privilege of conducting the first performance. Unfortunately for New York listeners, a major thunderstorm virtually obliterated the NBC radio signals there, but the performance was heard elsewhere and preserved on transcription discs. Shostakovich himself reportedly expressed a dislike for the performance, after he heard a recording of the broadcast. More Great Records on sale right now: CLICK ON THIS LINK TO SEE MORE GREAT RECORDS CLICK ON THIS LINK TO SEE ALL ITEMS - VINTAGE BOOKS, VICTROLA and TURNTABLE ITEMS, CDs, Books and DVDs http://shop.ebay.com/carsten_sf/m.html ==== A Quick NOTE ON GRADING AND SHIPPING: As you can see from my feedback, I try hard to earn your POSITIVE FEEDBACK and FIVE STAR RATINGS. If for any reason your transaction was NOT SATISFACTORY, pls contact me and I will work something out with you. YOU WILL NEVER HAVE A REASON TO GIVE ME A NEGATIVE RATING or a LOW STAR RATING. Quick note on grading: The Grade (Excellent to Poor, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise."EXCEPTIONALLY QUIET" is close to noiseless, like a vinyl pressing."VERY QUIET" is an above average quiet record for a given pressing."Quiet" is a record that is a great example with some noise. These judgments are SUBJECTIVE and will depend one the styli, phonograph etc. you use on your own equipment. Multiple item shipping: I am happy to combine items for shipment in one parcel. Records will be packed safely between corrugated cardboard in a sturdy box with plenty of padding for safe shipment. Shipment is usually Media Mail, unless you request another service. Shipping is at your risk, I will be happy to insure items at your cost. I charge actual postage plus a small handling fee for packing materials As always, I guarantee your satisfaction. If you don't like the item, just return it, and I will refund the full purchase price. If you are in the San Francisco area, I welcome pick-up in person. I am very happy to ship records worldwide. Please use the EBAY shipping cost as a guideline. As always, I would appreciate any suggestions and corrections from you, pls contact me with any question. Thank you very much, and enjoy these great records!!! Powered by SixBit's eCommerce Solution

Price: 24.99 USD

Location: San Francisco, California

End Time: 2024-12-02T01:11:26.000Z

Shipping Cost: 7.49 USD

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1921 1st rec TOSCANINI Bizet Arlesienne Suite FARANDOLE/ CARMEN La Scala VIC 8391921 1st rec TOSCANINI Bizet Arlesienne Suite FARANDOLE/ CARMEN La Scala VIC 839

Item Specifics

Restocking Fee: No

Return shipping will be paid by: Buyer

All returns accepted: Returns Accepted

Item must be returned within: 30 Days

Refund will be given as: Money Back

Artist: CLICK RIGHT ARROW > FOR CONDITION, ARTURO TOSCANINI, La Scala Orchestra

Format: Record

Material: Shellac

Genre: Classical

Record Label: RCA Victor

Record Size: 10"

Style: Allemande, Ballet, Cantata, Caprice, Ceremonial, Character Piece, Concerto, Educational, Elegy, Fanfare, Fantasia, Film Score/Soundtrack, France & Belgium, German music, Instrumental, Italian Music, Military Music, North American Music, Northern European music, Overture, Prelude, Rhapsody, Rondo, Russian Music, Serenade, Sinfonia, Swiss Music, Symphonic, Symphony, Western European Music

Speed: 78 RPM

Release Title: Bizet Arlesienne Suite FARANDOLE/ CARMEN ARAGONAISE

Catalog Number: 839

Sub-Genre: Symphonic & Orchestral

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